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segunda-feira, 31 de março de 2014

Space/Time Continuum, Social TV, Second Screen Use, NAB Show Sessions on 4K, Facebook Video Steps Up to YouTube


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March 31, 2014

Connect 2 Media & Entertainment, which launched in 2013, is a resource to help you as a media professional keep up with developments not only in your own business segment but across all industry sectors. Find out what's happening in TV, radio, digital media, film, event spaces, enterprise, and much more by visiting www.c2meworld.com each day.



TELEVISION
UHD Adoption Could Top Early HD Numbers
Ultra HD (or "4K") TVs should follow a similar or faster growth pattern to the rollout of HDTVs within U.S. broadband-connected households, according to new research from Parks Associates.
Read More»

INSPIRED BY NAB SHOW
NAB Show Addresses the Future of 4K Adoption
NAB Show 2014 will feature sessions, workshops and panels on the increasing role of ultra high-definition standards for 4K television displays and production technology in the media and entertainment industry.
Read More»

TELEVISION
The Space/Time Continuum of Social TV
Television is changing, and it will never be the same again. Consumers will watch programming on basically anything with flat glass screen, and they'll use cable, satellite, telco, Netflix, Amazon, Hulu, and many more. The mind boggles.
Read More»

DIGITAL MEDIA
Head to Head: Facebook to Challenge YouTube
Competing in video is a logical step for Facebook to monetize its enormous user-base, and it offers the company another front on which to wage battle in its cold war with Google.
Read More»

INSPIRED BY NAB SHOW
TV Everywhere Isn't Everywhere, But It Can Be
There is no question that multi-platform content delivery is evolving from the "hot new feature" to table stakes in the television industry. From ABC's live streaming of the Oscars and CBS' streaming of NCAA basketball to Comcast's Xfinity TVGO app, broadcasters and distributors alike are rolling out products that deliver content to new platforms.
Read More»

More Articles & Insights
How Is Technology Changing TV Narrative? »
Why Net Neutrality Matters So Much to Indie Filmmakers »
Research: 4K Will Grow Quicker Than HD »
Going OTT: Options for Pay-TV Providers »
Not All Second Screen Use is Created Equal »
Nearly 50% of Viewers Will Watch World Cup 2014 on Second Screens »
Study: Most Millennials Don't Watch TV on the TV »
Twitter Takes to TV Tie-Ins»
Study: 27% Of Online Video Views Experience Buffering»
Twitter Plays Hardball With Facebook Over TV--and TV Networks Gripe»
Does Instagram Passing Twitter in Mobile Increase Social TV Competition?»
Amazon Sets Date For Video Reveal»
NPR Is Running Voice Recognition-Enabled Ads»









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Blues You Can Use: Willie Dixon

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March 31, 2014
TOP STORY
Blues You Can Use: Willie Dixon
Willie Dixon's deep pocket and massive sound formed the basis of the blues as we know it, but he was also a skilled soloist, as Ed Friedland uncovers on the tune "Joggie Booge."
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The Jason Raso Quartet
Slingshot
Available now


Spector Artist, Jason Raso debuts his Quartet with "Slingshot." A perfect alloy forged in the soul fire of funk and cooled in the tradition and spirit of improvised jazz music.

"With influences like Stanley Clarke, Victor Wooten, Billy Sheehan and Marcus Miller, Jason has an effortless ability to morph from blistering fingerstyle passages to funky slap from one beat to the next." - Bass Guitar Rocks

www.jasonrasomusic.com

Bass Boost Fuzz – Metallic Series
Tech 21
Now Shipping


For 2014, all-new metallic sparkle finish! Channel your innermost Larry Graham with the fat, gritty sounds of '60s fuzz bass. All-analog circuitry unifies righteous, vintage tones and modern dependability. Powerful Boost kicks in up to 21dB of clean, post-boost volume. Made in U.S.A.

SRP: $195
www.tech21nyc.com






 
 

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Must Sees At 2014 NAB Show

This special promotional guide offers an advanced look at some of the exciting and innovative products attendees will find showcased on the exhibit floor at the 2014 NAB Show in Las Vegas.


Lectrosonics, Inc. | DPA Microphones | Fairlight | DPA Microphones | Audio Technica | DPA Microphones

Lectrosonics, Inc. L Series 'Large Bandwidth' Line of Wireless Microphones

Lectrosonics announces the L Series 'Large Bandwidth' line of wireless microphones, with all models featuring Digital Hybrid Wireless® technology. The new LMb and LT beltpack transmitters tune over a 75 MHz range, include all-metal housings, 25 or 100 kHz tuning steps, and an integrated multi-function switch. The LT transmitter additionally has a high power setting at 100 mW and features remote command response from either the dedicated Lectrosonics RM remote unit or smartphone app. The ultra-compact LR receiver is designed with the utmost portability in mind. The receiver's wide 75 MHz tuning bandwidth with tracking front-end filters provides plenty of flexibility while avoiding the vulnerabilities of wider pass bands. Tuning steps are user selectable at 25 or 100 kHz, while dual antenna diversity improves range and resistance to dropouts. The RF spectrum analyzer and SmartTune capability make quick work of finding clean frequencies on site.

Booth: C1714
Web: http://www.lectrosonics.com/

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DPA d:screet™ Necklace Microphone

DPA Microphones (Booth C3333) is presenting for the first time its new d:screet™ Necklace Microphone, which is currently being used in the Danish adaptation of Big Brother. With this mic, audio techs don't have to worry about how to attach it to clothing — even beach scenes aren't a problem. Featuring DPA's legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace, the d:screet Necklace Mic is especially convenient for instances when mounting and consistent audio output are the primary requirements. The mic offers fast, repeatable, "do-it-yourself" mounting and is designed specifically for use by non-technicians. The d:screet Necklace Mic comes in black, white and brown and in a lengths of either 18.3 or 20.9 inches. The d:screet Necklace Microphone is clearly meeting a need for a mic that can be mounted and removed quickly, and several times, by untrained talent without a sound expert nearby. For more information visit: www.dpamicrophones.com

Booth: C3333
Web: www.dpamicrophones.com



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Fairlight EVO.Live Production Console

Fairlight is proud to announce the release of the EVO.Live console - a new paradigm in the live production market. With FPGA-based Crystal Core processing power, EVO.Live delivers incredible digital audio mixing performance at an unprecedented price. The console's scalable and application specific design, creates the perfect mixing environment for OB trucks, performing arts venues, houses of worship and broadcast production facilities.

The layout of the control surface offers immediate access to all critical live functions with excellent visualization. The console includes interactive Picture Keys that self-label instantly for each task performed, always displaying the right commands and functions at the right time. EVO.Live is a complete production center offering both live and post production tools "in the box" plus sound-effect play-out, multi-track audio performance recording, external device control, timecode capability and extensive metering. In addition, Fairlight's new iCAN (Integrated Control across Network) technology provides the operator with an easy to use interface to design customized layouts.

EVO.Live is available in a wide range of chassis sizes and table-mount configurations, with up to 60 faders and an intelligent blend of touch screens and dedicated control elements that significantly accelerate operation. Quickly switch between live and post production modes for a fully integrated, dual-function production system. This intelligent use of resources provides efficiencies in time critical situations and delivers an exceptional return on investment. Visit Fairlight's NAB booth for a demonstration.

Booth: Central Hall C1459
Web: www.fairlight.com.au , www.fairlightus.com


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DPA d:screet™ Omnidirectional Miniature Microphones

DPA Microphones (Booth C3333) is introducing its heavy-duty d:screet™ Omnidirectional Miniature Microphones as well as those with reinforced strain relief. Incorporated on all d:screet Miniature Microphones, the robust strain relief ensures that people who are not used to handling miniatures can feel reassured by the increased reliability. The heavy-duty 4060 and 4061 microphones, which are ideal for people who require even more enhanced security and for whom the visual appeal is of less importance, are perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. It features a stainless steel housing, sturdy cable relief and a thicker .08-inch cable. Both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcasts. With the updated cable relief solutions, the company is fulfilling requests from users for high-quality sound with a highly-durable housing and cable. For more information visit: www.dpamicrophones.com

Booth: C3333
Web: www.dpamicrophones.com


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Audio-Technica Hosts Live Streaming Events at NAB

Audio-Technica is broadcasting live from their booth on April 7 -- 9. In the mornings, top audio experts will answer your questions both live and online (www.livestream.com and Twitter #ATliveNAB) during "Ask Me Anything" forums. In the afternoons, watch educational microphone technique presentations. See schedule and view events during and after NAB at www.audio-technica.com/NAB2014.

"Ask Me Anything" experts include: Dennis Baxter, EMMY® Award-winning Olympic sound designer; Michael Abbott, GRAMMY® Audio Coordinator; Maureen Droney, Senior Executive Director, The Recording Academy® Producer & Engineers Wing®; Lenise Bent, audio mixer, engineer and producer for music and film, including DreamWorks; Larry Estrin, audio technology innovator (presidential debates, Super Bowl and Disney); and Robert Bigelow, audio mixer, sound editor and location recordist for film and TV (NCIS New Orleans, Treme and The Voice).

Booth: C1720
Web: www.audio-technica.com/NAB2014


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DPA d:fine™ 66 and 88 Headset Microphones

DPA Microphones (Booth C3333) is displaying its new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or mic stand. Combining the flexible mechanics of DPA's modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headsets, the d:fine Headset Microphone range now addresses every need that actors, musicians and singers may face on live television. These new products join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company's d:fine family, giving fans the choice between a variety of sound handling and size options, depending on the intended application. This comes as a result of a growing need for durable body worn microphone solutions with excellent sound reproduction and sturdy casing for stringent use in live environments. For more information visit: www.dpamicrophones.com

Booth: C3333
Web: www.dpamicrophones.com


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