Audio-Technica AT4050ST Stereo Condenser Microphone By Rob Tavaglione "Recording an acoustic Taylor 6-string guitar revealed the AT4050ST sensitive to placement (as to be expected with acoustic guitars in general), but capable in all three modes (M-S, 90- and 127-degree stereo). Neither the pad nor the HPF was required here, with typically hot output levels and no problem with self-noise, even with the ample gain required on a lightly arpeggiated part. I received a sound that was anything but boomy; its very articulated, high-mid forward presentation came with a lean bottom that was slightly strident, even after high-cut EQ. Further testing on drum overheads confirmed the AT4050ST's sonic signature. The application's high SPL was no problem at all (with or without pad); detail was exceptional; and the AT4050ST seemed very quick with transients, although, to my ears, something was missing in the low-mids. Top end wasn't that harsh (although the mic is quite peaky between 8- and 12kHz), and mids were colorful, but overall body was missing, with notably less between 100 and 250 Hz. Some shelf-boosting EQ revealed usable content down there; with that, the problem was mostly solved." More » |
Sem comentários:
Enviar um comentário