At AES: Theatrical Sound Design Meets Reality by Clive Young Many of the problems and solutions in live sound are universal, applicable in one way or another to any variety of situations, from concert sound to house of worship installations to sporting venues. With that in mind, the annual AES Convention had plenty of live sound-centric offerings to take in and enjoy, from an on-stage interview with Dave Natale, go-to FOH engineer for The Rolling Stones, Tina Turner, Lenny Kravitz, Fleetwood Mac and dozens more, to Audio for Corporate Presentations, to Miking for PA and more. But with the AES Convention is in New York City, in the presence of Broadway, the best-known theatrical district in the world, it only made sense for the Live Sound Track to take advantage of that proximity and present insights and knowledge from the city's top theatrical live sound pros. Such was the case Saturday, as a number of them assembled for the early morning panel, “Design Meets Reality: The A2s and Production Sound Mixer’s Challenges, Obstacles and Responsibilities for Loading in and Implementing the Sound Designer’s Concept.” On hand for the panel were moderator Christopher Evans, Benedum Center; Collie Bustin, Ires-Partners; Paul Garrity, Auerbach and Associates; Dominic Sack, Sound Associates; Scott Leher, Scott Leher Sound Design; Christopher Sloan, production engineer, The Book of Mormon. More » |
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