Editor's Picks 2013: Production/Post/Sound

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January 1, 2014

For the holiday season we're presenting "Editors' Picks" of the best of the site from throughout 2013. Today: Production/Post/Sound Connect 2 Media & Entertainment, which launched in 2013, is a resource to help you as a media professional keep up with developments not only in your own business segment but across all industry sectors. Find out what's happening in TV, radio, digital media, film, event spaces, enterprise, and much more by visiting www.c2meworld.com each day. Best of 2013: Production/Post/Sound PRODUCTION/POST/SOUND "Oh My God:" Shooting Louis C.K.'s 360-Degree Stand-Up Special "The trick was figuring out how to place the cameras and make assignments," "Oh My God" cinematographer Paul Koestner recalls, "so that no matter where Louie roamed on the stage, we had a suitable shot." Read More» PRODUCTION/POST/SOUND Editing Exuberance and Excess: Thelma Schoonmaker Discusses "The Wolf of Wall Street" "It's highly entertaining," Schoonmaker says of Martin Scorsese's new film. "Every day I'd get these fantastically funny scenes in dailies. It's more of an improvisational film like 'Raging Bull,' 'Casino' or 'Goodfellas.' We haven't done one of those in awhile and I enjoyed getting back to that form." Read More» PRODUCTION/POST/SOUND "Brief Encounters:" Capturing the Cinematic Sensibility of Gregory Crewdson Shot over the past decade by director and cinematographer Ben Shapiro, "Gregory Crewdson: Brief Encounters" is a methodically rendered portrait of the acclaimed photographer's work and process. Read More» PRODUCTION/POST/SOUND Suspenseful Storytelling on "Captain Phillips" For editor Christopher Rouse, ACE, director Paul Greengrass' frequent collaborator, the challenge and the exhilaration come from shaping material into a tight, engaging drama. Read More» PRODUCTION/POST/SOUND Handheld for "Homeland": Tension and Apprehension on the Showtime Series "Television moves quickly, but I try to maintain a feature film standard in the images," says "Homeland" cinematographer David Klein. "With 'Homeland,' we benefit from the fact that the story itself flows very naturally and is very gritty, and we'll go into many situations using the existing lighting of a location because it fits the overall aesthetic." Read More» PRODUCTION/POST/SOUND Inside the Mind of MOCAtv "The idea was for MOCAtv to be a repository of contemporary art where people could go for all things that fall in that category," explains John Toba, head of production for MOCAtv. Read More» More Articles & Insights Sound for Picture: "Ender's Game" » Pure Imagination: The Mind and Methodology of Digital Artist Kurtis Hough » The Beauty of Noah Baumbach's Black-and-White New York » "Metallica Through the Never": Sound Helps Tell the Story in 3D Concert Film » See "The Shining" From Every Angle in "Room 237" » 4K Future: "Oblivion" Recorded on Sony's F65 CineAlta Camera » The D May Be Silent, But Little Else Is: The Rich and Kitsch Sound Design for "Django Unchained" » "Kroll Show:" The Art of the Mini-Movie »

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