| June 30, 2014 | New Products | | Today's Review | On The Future of Touch Screen Technology in Audio Production By Lynn Fuston, Technical Editor for Pro Audio Review I like visionaries and innovators: those who get out front of currently accepted standards and utilize/create technology to push the boundaries. Names like Tesla, Edison, Blumlein and Marconi come to mind. But right now it seems there's a lot more focus on recreating/modeling classics of the past (some 50 years old or more), both in hard and software than in innovation. Since the 90s, the start of the digital revolution, manufacturers have focused on higher sampling rates, better specs, lower noise and power consumption, but we've just about achieved all we can in that regard. So what are the next areas for innovation and growth? What's the next advancement in music production technology? More » | | | No subscription to Pro Audio Review? Get on the inside track with the best peer-to-peer pro reviews in the audio production biz: visit http://www.mypsnmag.com now! | | Today's Video | PAR-Tube Presents — Review Preview: Ear Trumpet Labs Mabel by PAR Editorial Staff The Editors of Pro Audio Review magazine proudly present "PAR-Tube," a new initiative starring the Contributors of PAR in an ongoing video-based review, applications and new product presentation series. Our introductory installment, a Review Preview "unboxing" vid, is presented by Rob Tavaglione on the Ear Trumpet Labs Mabel large diaphragm condenser microphone. More » | | Today's Blog | AoIP, AES67 and Interoperability By Steve Harvey Audio-over-IP networking systems have largely been unable to play together nicely—until now. In September 2013, the Audio Engineering Society published AES67, a standard for high-performance streaming over audio-over-IP interoperability, which has already been implemented by Telos Alliance's Axia division and ALC NetworX, the organization behind RAVENNA. More »
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