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quinta-feira, 1 de novembro de 2012

PAR Daily E-Reviewsletter featuring Best of Show Award Winners from the 133rd AES Convention

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Today's Product Review

Sanken CO-100K 100 kHz Super-Wide Range Condenser Microphone
By Ian Schreier

The conventional wisdom regarding the frequency range of human hearing is that it falls between 20 Hz to 20 kHz. So why on earth would you need a microphone that is capable of capturing frequencies up to 100 kHz?

I have a number of theories as to why and how the information above 20 kHz really does influence what we hear and perceive, even in a 44.1 kHz world. But I'm not an acoustical scientist and this not a white paper; I'm simply a recording engineer and this is a product review, so onward.

Speaking as a part of the team here at Manifold Studios, it turns out we did need some microphones that go that high — especially once we heard them. After spending some time recording and experimenting with a pair of Sanken CO-100K microphones and comparing them to other options in our mic locker, it became crystal clear (pun intended) that these mics capture nuanced detail in a way that our ears — and, more importantly, our clients — will immediately appreciate. More »

Today's Blog

Photo Album: ProSoundNetwork's Best of Show Awards, AES 2012 Edition
By Clive Young
The editorial staffs of Pro Sound News and Pro Audio Review magazines presented the second annual ProSoundNetwork Best of Show Awards for the 133rd AES Convention in San Francisco. Here's just a handful of the winners; see the full article for the complete rundown of winning products at the Convention.

When looking at the visual display of their home-produced podcasts in 2008, Nashville residents Bill Seaver and Nathan Moore realized waveforms could easily be transformed into wall art by simply copying their visuals into a design program and playing with the colors.

We talked about the waveform design, which led us to talking about how famous sayings and speeches might be iconic enough to put on a wall,” Seaver explained." More »


 

 
 
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